Archive Page 2

Presque vu XXIV

 
I think it’s rather unfortunate that some of the coverage tries to pitch print reviewing against the new media. I think they complement each other very well.
Salman Rushdie

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Chances are that if you are a writer a little further down the food chain, but lucky enough to have an agent, they won’t be doing much for [...]



Presque vu XII

Salman Rushdie’s Midnight’s Children has been banned in Malaysia. It joins Michel Houellebecq’s Atomised, Eve Ensler’s The Vagina Monologues and a host of other texts which have been proscribed by:
… some barely literate little Napoleon - to borrow Pak Lah’s term - sitting behind a KDN desk in Johor Bahru, (who) has decided that the [...]



Five Questions: L-ement

1. Why do you blog?
It’s a nice way to be reflective without having to think in the same terms one must think in when she writes creative nonfiction for publication.
2. Which author and/or book has most influenced you?
This is a tough one - there are so many! Joan Didion, Salman Rushdie, Barbara Lazear Ascher, and [...]



1. Why do you blog?
I started blogging as a fun way to keep friends and family informed of my activities (the good ones). Then I was told that the url was being forwarded hither and thither I became inspired to broaden my scope. At that point, I decided to blog about literature and [...]






About Writing:

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. G. M. Trevelyan

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