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John Baker's Blog

Reflections of a working writer and reader

I don't give readings, no, although I have recorded three of my collections, just to show how I should read them. Hearing a poem, as opposed to reading it on the page, means you miss so much- the shape, the punctuation, the italics, even knowing how far you are from the end. Reading it on the page means you can go your own pace, taking it in properly; hearing it means you're dragged along at the speaker's own rate, missing things, not taking it in, confusing there and their and things like that. And the speaker may interpose his own personality between you and the poem, for better or worse. For that matter, so may the audience. I don't like hearing things in public, even music. In fact, I think poetry readings grew up on a false analogy with music: the text is the 'score' that doesn't 'come to life' until it's 'performed.' It's false because people can read words, whereas they can't read music. When you write a poem, you put everything into it that's needed: the reader should 'hear' it just as clearly as if you were in the room saying it to him. And of course this fashion for poetry readings has led to a kind of poetry that you can understand first go: easy rhythms, easy emotions, easy syntax. I don't think it stands up on the page. Philip Larkin

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Creating a Text - Derec Jones

What phases are involved in the creation of a text?

I have created texts of all kinds and have published poetry, short stories and a novel. I have also written and produced stage plays and short films and completed television and film scripts. Despite this extensive experience, the creation of a text is still something of a black art to me. For example I remember getting up early one wet Sunday morning back in 1999 and scribbling away like a maniac until mid-afternoon. What emerged was a one act play called “Tossers”. I spent the rest of the day typing it into the computer. I’ve still got the original hand-written manuscript and there is no difference between that and the finished play. I put the play in a drawer until 2004 when I submitted it to a theatre company. Tossers was staged in Chapter Arts Centre in Cardiff as part of their On The Edge series. I had nothing to do with the production apart from turning up on the night to watch it. As far as I could tell, not a word was changed and the staging was exactly as I had imagined it when it was created.

I’ve no idea where the play came from; the only phase involved in its creation was the physical act of getting it out of my head and onto the paper. But, Tossers aside, in the best traditions of academic analysis I present the following acronym to define the phases involved in the creation of a text:

WRITER = Watch, Record, Inspiration, Toil, Edit, Release

Watch
For any text to have validity it must be based on truth, and truth is derived from what we experience through our senses and our emotional and intellectual response to that experience. Sitting in front of the television or reading a classic novel is not good enough. No matter how engaging the programme is or how brilliant the book is, it’s a second-hand experience filtered through someone else’s set of myths and prejudices. A writer must watch; must observe real life in all its gory glory.

Record
Watching on its own may increase your understanding of the human condition but in order to create a text you must record your observations. Manifestations must be recorded; this could be in the form of notes on paper or of mental notes to yourself.

Inspiration
Sometimes inspiration seems to come out of nothing; your mind processes your observations and tries to make sense of them, it needs to make a story out of the characters and events it encounters. This processing takes place consciously and subconsciously in varying proportions and eventually inspiration comes, but it doesn’t come from nowhere, inspiration is earned.

Toil
So you have watched, recorded and found your inspiration. Now those raw materials have to be organised into strings of words that convey the meaning of the story to others. This takes work; you have to toil to get those sentences out in a meaningful way.

Edit
The words are on the paper or the screen but they are still a bit raw and clumsy, and there are gaps that need bridging or repetitions that need culling. The text has to be edited, it has to be groomed and pimped until it is in a form that is enjoyable for others to read.

Release
There is a Zen koan that asks: “If a tree falls in a forest and there is no one there to hear it, does it make a sound?” There is no logical answer to that question of course, but if a text is put in a drawer or left in an obscure folder of a hard drive and no one reads it, it does not exist as a text. The final phase in the creation of a text is its release into the public domain; it has to be published in some way. Tossers sat in a drawer for five years before it became a text. It did not complete its journey until it was released.

Come to think of it, even Tossers had to go through all of the above phases; it’s just that it happened to go through most of them in a burst of creativity on a wet Sunday in 1999.

Tossers is a surreal black comedy and plays out in about twenty minutes; please contact me if you want to read it.

Derec Jones writes novels, poetry, stage plays, television scripts and articles. He blogs at: http://derecjones.com/blog/

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Creating a Text - Robert Wilson

What phases are involved in the creation of a text?
Before the creation of a text can begin I have to do a fair amount of work on research. This may involve visiting places to see what they look like, get a feeling for atmosphere, to see how people use their streets and squares, to see [...]

Creating a Text - Lynn Viehl

What phases are involved in the creation of a text?
Creation for me usually begins with an idea born during a moment of inspiration. That would be my first phase. I never know when inspiration is going to hit, but it happens most often when I’m listening to music, sewing, meditating, or working in [...]

Creating a Text - Ernesto Priego

What phases are involved in the creation of a text?
To describe the phases involved in the creation of a text is not easy for me, because the process itself is never easy. Well, you could say that sometimes, in very rare circumstances, it is, but then it’s always a bit deceptive because there is a [...]

The Novel Dies Again

John Freeman in the Guardian and Sergei Lobanov-Rostovsky in The Kenyon Review argue the death of the novel all over again:
And in the end, it’s not Tony who killed the novel, according to Freeman; it’s the decline of public education, the language of advertising, and the visual tyranny of the screen (television, internet, Blackberry), [...]

King Lear with Ian McKellen

I am a very foolish fond old man,
Fourscore and upward, not an hour more nor less;
And, to deal plainly,
I fear I am not in my perfect mind.
Yesterday we saw King Lear with Ian McKellen at the Newcastle Theatre Royal. This is an RSC production, directed by Trevor Nunn and the theatre was packed with anticipation.
Considering [...]

Telling Stories

In recent years we have seen a resurgence in the art or craft of story telling in the west. This at the same time as these forms are being neglected and lost in what we euphemistically call the developing world.
Chimamanda Ngozi Adichie, the Nigerian novelist (Purple Hibiscus) talks of a sense of loss because of [...]

Is Poetry Less Literary Than a Novel?

Angie Schiavone in The Brisbane Times has an article on The Arrival, a book by illustrator Shaun Tan, which has taken top honours at the New South Wales Premier’s Awards.
Tan, along with other award recipients at the Sydney Writers’ Festival, was asked, to give a reading from his book. “I think I’ll just say [...]

Best News of the Week

Two items of good news this week. I don’t usually rate literary prizes, and the announcement of their winners often elicits a groan of pain from me. But both of these were deserved.
1. Nigerian novelist Chinua Achebe won the 2007 Man Booker International Prize for fiction. Other nominees for the prize included Philip Roth, Margaret [...]

A Poem by Rainer Maria Rilke

Sunset
Slowly the west reaches for clothes of new colours
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you,
one part climbs toward heaven, one sinks to earth,
leaving you, not really belonging to either,
not so helplessly dark as that house that is silent,
not so unswervingly given to the [...]

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