Presque vu XXXXVIIII

For St Patrick’s Day MA Peel mused:
I met a psychiatrist once who believed that the national Irish affinity for drinking was a product of centuries of oppression/emasculation by the British.
The post goes on to review the film Kings from Tom Collins, and the play The Seafarer, by Conor McPherson
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When The Cat Kin didn’t sell enough [...]



A Poem by Dennis O’Driscoll

Dennis O’Driscoll is among the finest poets of his generation. He is also one of the most respected of Ireland’s poetry critics.
Someone
someone is dressing up for death today, a change of skirt or tie
eating a final feast of buttered sliced pan, tea
scarcely having noticed the erection that was his last
shaving his face to marble [...]



The Wind That Shakes The Barley, Ken Loache’s film about Ireland in 1919 and the unanimous winner of the Palme d’Or at Cannes, has been much criticized by the British press.
A “poisonously anti-British corruption of the history of the war of Irish independence … The Wind That Shakes the Barley is not just wrong. It [...]






About Writing:

I might mention another embarrassment involved in the writer's habit of close attention. Once when I was driving through Colorado with a friend, traveling down a narrow mountain pass, we came upon an accident. A pickup truck and a car had collided, and from fifty feet away we could see the blood. We pulled over and ran to help. All the time I was running, all the time I was trying, with my friend's help, to pry open the door of the car in which a nine-months-pregnant woman had been impaled through the abdomen, I was thinking: I must remember this! I must remember my feelings! How would I describe this? I do not think I behaved less efficiently than my nonliterary friend, who was probably not thinking such thoughts; in fact, I may possibly have behaved more swiftly and efficiently, trying in my mind to create a noble scene. Nonetheless, what I felt above all was disgust at my mind's detachment, its inhumane fascination with the precise way the blood pumped, the way flesh around a wound becomes instantly proud, that is, puffed up, and so on. I would have been glad at that moment to be a literary innocent. John Gardner

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