On Writing
- Martin Amis and the War on Cliches/
- The Panting and Happy Reader/
- Your Ambiguities are Impeccable, Young Man/
- The Panting and Happy Reader
- Zadie Smith on Reading and Writing
- An Interview for The View From Here
- Interview by Ian Hocking
- An Interview at the Yorkshire Post
- Writing a Novel
- Making Metaphors
- How Many Plots Are There?
- Fictional Character
- Writing – an uncomfortable feeling
- Write What You Know?
- Learning to Write XXXI – The Memorability Test
- Learning to Write XXX – Writing Dialect
- Learning to Write XXIX – The Melody of Dialogue
- Learning to Write XXVIII – Dialogue & Plot
- Learning to Write XXVII – Character & Conversation
- What Was Postmodernism?
- Learning to Write XXVI – The Short Story
- Dreaming for Writers
- The Responsibility of Writers
- Please Stop Writing
- Math and Mass
- Learning to Write XXV – Studying Faces
- Learning to Write XXIV – Character in Action
- Learning to Write XXIII – Character & Circumstance
- Learning to Write XXII – Tension
- Learning to Write XXI – Aspects of Self
- Learning to Write XX – Caricature
- Learning to Write XIX – Embodied Traits
- Learning to Write XVIII – Faults in Characterization
- Learning to Write XVII – Character Collages
- Learning to Write XVI – Characterization
- Learning to Write XV – Inspiration?
- Learning to Write XIV – Shape & Technique
- Learning to Write XIII – Iteration
- Learning to Write XII – Character & Plot
- Learning to Write XI – Beware of ‘Teachers’
- Learning to Write X – Charm
- Modernism XIII – Pirandello
- Modernism XII – Impersonality & Historical Sense
- Modernism XI – The Miraculous Yield of 1922
- Learning to Write IX – Seven Myths
- Learning to Write VIII – The Living Text
- Learning to Write VII – Plunging In
- Learning to Write VI – Beginnings
- Learning to Write V – Comedy and Tragedy
- Learning to Write IV – Pacing
- Learning to Write III – Omit Useless Words
- Learning to Write II – Make It New
- Learning to Write I – Why Do It?
- Becoming a Writer
- A Writers’ Workshop
- Modernism X – The Two-Part Melody
- Modernism IX – Intensification: The Unconscious
- Modernism VIII – Evolving Consciousness
- Modernism VII – The Chasm Between Then & Now
- Modernism VI – Uncircumscribed Spirit
- Modernism V – Dramatists
- Modernism IV – Surrealists & Symbolists
- Modernism III – The Expressionists
- Modernism II – The Futurists
- Modernism I – Go In Fear Of Abstractions
- Humour and Such
- Octavio Paz – Separation
