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	<title>Comments on: Modigliani and Chekhov</title>
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	<description>Reflections of a working writer and reader</description>
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		<title>By: Christopher</title>
		<link>http://johnbakersblog.co.uk/modigliani-and-chekhov/comment-page-1/#comment-89259</link>
		<dc:creator>Christopher</dc:creator>
		<pubDate>Wed, 30 May 2007 10:54:30 +0000</pubDate>
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		<description>The main challenge for any production of “The Seagull” is making the characters likeable. While they’re probably &amp; understandably depressed, we should never see them give into it. They struggle mightily, and that’s why we root for them. If a production can accomplish that, “The Seagull” is a moving and memorable play.

For a fuller treatment/analysis of this play, see: 

http://www.helium.com/tm/259249/

&lt;strong&gt;jb says&lt;/strong&gt;: Thanks for the comments, Christopher; and the link to a rather enlightening article.</description>
		<content:encoded><![CDATA[<p>The main challenge for any production of “The Seagull” is making the characters likeable. While they’re probably &amp; understandably depressed, we should never see them give into it. They struggle mightily, and that’s why we root for them. If a production can accomplish that, “The Seagull” is a moving and memorable play.</p>
<p>For a fuller treatment/analysis of this play, see: </p>
<p><a href="http://www.helium.com/tm/259249/">http://www.helium.com/tm/259249/</a></p>
<p><strong>jb says</strong>: Thanks for the comments, Christopher; and the link to a rather enlightening article.</p>
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		<title>By: Cam</title>
		<link>http://johnbakersblog.co.uk/modigliani-and-chekhov/comment-page-1/#comment-5611</link>
		<dc:creator>Cam</dc:creator>
		<pubDate>Mon, 25 Sep 2006 18:19:25 +0000</pubDate>
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		<description>I saw &lt;em&gt;Modigliani and His Models&lt;/em&gt; in July and was glad that I went.  In error, I walked through the exhibit in the wrong direction, so I saw the later works first.  In an odd way, I think it made clearer the evolution of Modigliani&#039;s style.

&lt;strong&gt;jb says&lt;/strong&gt;: Sounds like the way I read magazines, Cam.</description>
		<content:encoded><![CDATA[<p>I saw <em>Modigliani and His Models</em> in July and was glad that I went.  In error, I walked through the exhibit in the wrong direction, so I saw the later works first.  In an odd way, I think it made clearer the evolution of Modigliani&#8217;s style.</p>
<p><strong>jb says</strong>: Sounds like the way I read magazines, Cam.</p>
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		<title>By: John Baker</title>
		<link>http://johnbakersblog.co.uk/modigliani-and-chekhov/comment-page-1/#comment-5605</link>
		<dc:creator>John Baker</dc:creator>
		<pubDate>Mon, 25 Sep 2006 13:57:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.johnbakersblog.co.uk/?p=285#comment-5605</guid>
		<description>I enjoyed it enormously while it was happening in front of me and, still, in retrospect, I think it was a fine play, well-handled by all the cast. Mitchell and Crimp took enormous liberties with the text, and although I&#039;m uneasy with the idea of doing that, nevertheless, in this instance I thought it worked to everyone&#039;s advantage, including Chekhov&#039;s (though he may not agree, were he still around).
I thought the ploy of bringing the play-within-a-play forward to the opening act, and the device of showing it to us from &#039;behind&#039; the actors worked well.
I missed the written-out part of the school-teacher&#039;s marriage, but not a lot.
And in the last act I thought the lighting was too dim. I wanted to see the actors facial expressions, and though I was sitting quite near to the stage, I couldn&#039;t make them out.
What more can I say, overall it worked for me. I thought it worked very well indeed.
But I hope we don&#039;t get a rash of &#039;rewritten&#039; classics in the wake of it. It certainly won&#039;t work everytime.</description>
		<content:encoded><![CDATA[<p>I enjoyed it enormously while it was happening in front of me and, still, in retrospect, I think it was a fine play, well-handled by all the cast. Mitchell and Crimp took enormous liberties with the text, and although I&#8217;m uneasy with the idea of doing that, nevertheless, in this instance I thought it worked to everyone&#8217;s advantage, including Chekhov&#8217;s (though he may not agree, were he still around).<br />
I thought the ploy of bringing the play-within-a-play forward to the opening act, and the device of showing it to us from &#8216;behind&#8217; the actors worked well.<br />
I missed the written-out part of the school-teacher&#8217;s marriage, but not a lot.<br />
And in the last act I thought the lighting was too dim. I wanted to see the actors facial expressions, and though I was sitting quite near to the stage, I couldn&#8217;t make them out.<br />
What more can I say, overall it worked for me. I thought it worked very well indeed.<br />
But I hope we don&#8217;t get a rash of &#8216;rewritten&#8217; classics in the wake of it. It certainly won&#8217;t work everytime.</p>
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		<title>By: AndrewE</title>
		<link>http://johnbakersblog.co.uk/modigliani-and-chekhov/comment-page-1/#comment-5603</link>
		<dc:creator>AndrewE</dc:creator>
		<pubDate>Mon, 25 Sep 2006 12:32:33 +0000</pubDate>
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		<description>Saw the Katie Mitchell production quite a while back, I&#039;d be interested to know what you think.</description>
		<content:encoded><![CDATA[<p>Saw the Katie Mitchell production quite a while back, I&#8217;d be interested to know what you think.</p>
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