Reflections of a working writer and reader
A tragic or comic plot is not a straight line: it is a parabola following the shapes of the mouths on the conventional masks. Comedy has a U-shaped plot, with the action sinking into deep and often potentially tragic complications, and then suddenly turning upward into a happy ending. Tragedy has an inverted U, with the action rising in crisis to a peripety and then plunging downward to a catastrophe through a series of recognitions, usually of the inevitable consequences of previous acts. But in both cases what is recognized is seldom anything new; it is something which has been there all along, and which, by its reappearance or manifestation, brings the end into line with the beginning. Northrop Frye
This from Martin Edward’s blog:
At home, I keep a pile of scripts based on my books. Film scripts, tv scripts, a radio adaptation. All written by seasoned professionals – and they all have one thing in common.
None of them have ever been made.
Martin Edwards is a crime writer, author of the Liverpool-based Harry Devlin novels.
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