Death’s Side of the Bed

The New York Times has an interview with Charles Simic, the current American poet laureate. Deborah Solomon asks him what he thinks of the current crop of books on happiness:

It’s an industry. It’s really frightening. People need to read a book on how to be happy? It’s completely an American thing. Can you imagine people in Naples sitting on a bus or in a trattoria reading a book about happiness?

Eyes Fastened With Pins
by Charles Simic

How much death works,

No one knows what a long

Day he puts in. The little

Wife always alone

Ironing death’s laundry.

The beautiful daughters

Setting death’s supper table.

The neighbors playing

Pinochle in the backyard

Or just sitting on the steps

Drinking beer. Death,

Meanwhile, in a strange

Part of town looking for

Someone with a bad cough,

But the address somehow wrong,

Even death can’t figure it out

Among all the locked doors…

And the rain beginning to fall.

Long windy night ahead.

Death with not even a newspaper

To cover his head, not even

A dime to call the one pining away,

Undressing slowly, sleepily,

And stretching naked

On death’s side of the bed.

From Charon’s Cosmology, by Charles Simic. Published by George Braziller. Copyright © 1977.

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About Writing:

Let's say you're writing the story from Della's point of view. You can say, "Della looked up into Rodney's adoring face," but you can't say, "Della raised her incredibly beautiful violet eyes to Rodney's adoring face." Why not? Because although Della may be aware she's incredibly beautiful and has violet eyes, that's not what Della sees when she looks up. That's what Rodney sees. And Della is the person whose mind you're in. Only Della's perceptions are perceptible. Rodney's aren't. And if Della really is thinking about the color of her own eyes, instead of how adorably adoring Rodney looks, you have to explain why: "She raised her eyes, knowing the effect their violet beauty would have on him." If this still seems mysterious, consider that the limited third person is very like the first person in some ways; and you know that when you write as "I" you can tell only what "I" see and know. — "I raised my incredibly beautiful violet eyes to Rodney's adoring face." I'm sure you see that you wouldn't write that. Ursula K. Le Guin

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